`VOICES´ is a full evening of choreography containing two contrasting pieces for six dancers.  One is Set Boundaries a collaboration with celebrated electronic composer, Matthew Herbert, visual artist Lenka Clayton and theatre designer Alan Macdonald.  It explores the definition of borders between peoples and people and how the voice can be the difference between power and impotence.  The other piece /aót∫ak/ is inspired by Luciano Berio´s `Naturale´ a haunting vocal composition for viola, tam-tam and taped voice.

"I chose the title `Voices´ because Matthew Herbert wanted to use voice as part of his music composition in a very ancient way and Berio´s `Naturale´, which I had already chosen, uses the voice in a completely different way.  Although the two pieces will have very different identities and will be in total contrast to each other, the link will be the voice - its use, meaning and power."

 

"A visually compelling and colourful evening of work". The Stage

"The tiniest movements speak volumes in Rafael Bonachela’s enigmatic double bill". Sunday Times

"Cool and gutsy .... With good dancers and polished staging". Evening Standard

"Pacing is one of Bonachela’s strengths... a sure sense of when to still the raging storm, and turndown the dynamic to a shiver". Independent on Sunday

 

 

 

Running time approximately : 30 min.

/aót∫ak/ is a journey through Luciano Berio’s haunting composition for viola, tam-tam and voice.Bonachela’s six extraordinary dancers explore the walls that surround us – both real and imagined. The result is sometimes violent, sometimes tender, but always innovative.

"An underlying sexuality that gives handsome physical presence to the jagged emotional intelligence".The Times

Performed by 6 dancers
Designer: Alan Macdonald
Lighting Designer: Lee Curran
Music: Luciano Berio
Costumes: Theo Clinkard

 

 

 

Running time approximately : 20 min

Set Boundaries is an urgent and stylish work highlighting how the voice can be used as a weaponof power. The dramatic new score by Matthew Herbert uses Alan Seeger’s poem “Rendezvous with Death” and the real words of a Kurdish asylum seeker while visual artist Lenka Clayton and designer Alan Macdonald confine the dancers in a tense world where they play out nightmares of powerlessness and dreams of escape.

"The dancers, trapped within invisible barriers, alternate between hard angled defiance and ahaunted, liquid fear". The Guardian

Performed by 6 dancers
Designer: Alan Macdonald
Lighting Designer: Lee Curran
Music: Matthew Herbert
Visual Artist: Lenka Clayton